Course image Film and Television Studies Essential Skills (25/26) 2025/26
 
Course image FI326/FI927: Issues in Documentary 2025/26
 
Course image FI325/FI930: Horror and the Gothic in Film and Television 2025/26
 
Course image FI262/FI362: Transnational Action Cinema 2025/26
 
Course image FI908:Advanced Methods in Screen Studies: Analysis, History, Theory 2025/26
 
Course image FI366:Screening Venice (15 CAT) 2025/26
 
Course image FI355:Film Aesthetics 1 2025/26
 
Course image FI348:Film Analysis and Methods 2025/26
 
Course image FI336:Science Fiction: Theory as Film 2025/26
 
Course image FI331:Film Production 2025/26
 
Course image FI329:Screenwriting 2025/26
 
Course image FI310:Dissertation Option in Film and/or Television Studies for Final Year Students 2025/26
 
Course image FI265:Two Filmmakers 2025/26

Two Filmmakers provides an opportunity for you to examine the works of two film directors in close detail. It will acquaint you with key films from these filmmakers’ oeuvres, and situate them within the critical discourses surrounding these figures and their work, and wider debates concerning film authorship. The module is designed to enhance your ability to critically assess films and academic scholarship, and to develop your understanding of historically significant critical paradigms that sought to theorise authorship in relation to the moving image. This year the two filmmakers will be Ernst Lubitsch and Gus Van Sant.

 
Course image FI208:Silent Cinema 2025/26
 
Course image FI116:Adaptation - From Page to Screens 2025/26
 
Course image FI114:Film and Television Analysis 2025/26
 
Course image FI113:Theories for Film Studies 2025/26
 
Course image FI109:Visual Cultures 2025/26
 
Course image FI106:Film History 2025/26
 
Course image FI358:The Art of Animation 2025/26

Animation is a genre and process with its own distinctive language and characteristics. No longer viewed as simply ‘cartoons for children’, animation has become a cultural phenomenon that extends into live action cinema. The popularity of animation in popular culture is now equalled in academia where animation is a burgeoning field in film and television studies. This module will explore animation from various angles, including its history, aesthetics, and production, but, also, will examine various animation contexts, including specific processes, types of animation, and topics within animation. 

This module is organised in four parts (after an introductory week and a final week devoted to preparing for the essay plan):

I. History and Industry

II. Technologies

III. Television

IV. Anime