Course image Film and Television Studies Essential Skills (25/26) 2025/26
 
Course image FI326/FI927: Issues in Documentary 2025/26
 
Course image FI325/FI930: Horror and the Gothic in Film and Television 2025/26
 
Course image FI262/FI362: Transnational Action Cinema 2025/26
 
Course image FI209/FI350: Television History and Criticism 2025/26
 
Course image FI911:Cinematic Cities and Landscapes 2025/26

As a recorded audiovisual medium, cinema is especially suited to the representation of place and movement through the simultaneous registration of space and time. This module will examine the implications of this proposition in a series of film texts that mainly privilege the representation of a particular city or geographical landscape, often in relation to the underlying narrative trope of the journey. It will thus introduce you to a range of current disciplinary and inter-disciplinary debates about film’s engagement with urban space, landscape, place, ecology and mobility. In particular, the module will also give you a chance to engage with a deliberately broad range of global and local cinemas. In so doing, it will think both about the representation of cities and landscapes, and look at the way in which travel, location and terrain may be understood more broadly as fundamentally significant cinematic concepts.

 
Course image FI908:Advanced Methods in Screen Studies: Analysis, History, Theory 2025/26
 
Course image FI366:Screening Venice (15 CAT) 2025/26
 
Course image FI355:Film Aesthetics 1 2025/26
 
Course image FI348:Film Analysis and Methods 2025/26
 
Course image FI336:Science Fiction: Theory as Film 2025/26
 
Course image FI331:Film Production 2025/26
 
Course image FI329:Screenwriting 2025/26
 
Course image FI310:Dissertation Option in Film and/or Television Studies for Final Year Students 2025/26
 
Course image FI265:Two Filmmakers 2025/26

Two Filmmakers provides an opportunity for you to examine the works of two film directors in close detail. It will acquaint you with key films from these filmmakers’ oeuvres, and situate them within the critical discourses surrounding these figures and their work, and wider debates concerning film authorship. The module is designed to enhance your ability to critically assess films and academic scholarship, and to develop your understanding of historically significant critical paradigms that sought to theorise authorship in relation to the moving image. This year the two filmmakers will be Ernst Lubitsch and Gus Van Sant.

 
Course image FI208:Silent Cinema 2025/26
 
Course image FI116:Adaptation - From Page to Screens 2025/26
 
Course image FI114:Film and Television Analysis 2025/26
 
Course image FI113:Theories for Film Studies 2025/26
 
Course image FI109:Visual Cultures 2025/26