2024/25
Course image HP321:Nature and Modernity in Latin America 2024/25
 
Course image HP319:Journeys and Cityscapes in Latin American Film 2024/25
 
Course image HP317:Love, Death, and Desire in the Golden Age 2024/25
 
Course image HP310:Spain and the Philippines at Empire's End 2024/25
 
Course image HP309:From Dictatorship to Democracy: Comparative Literary Perspectives on Contemporary Spain and Portugal 2024/25
 
Course image HP223:Climate Fictions in the Hispanic World 2024/25
 
Course image HP216:Illusion and Reality, Doubt and Deceit: The Baroque Obsession with Uncertainty 2024/25
 
Course image HP104:Icons and Representations of the Hispanic World 2024/25
 
Course image HP103:Language, Text and Identity in the Hispanic World 2024/25
 
Course image GE220:Violent Women in the German Cultural Imagination 2024/25
 
Course image GE217:Film in the Weimar Republic and under National Socialism 2024/25
 
Course image GE212:Bertolt Brecht: Theatre as Revolution 2024/25
 
Course image GE203:Modern German Language 2 (Post Beginners) 2024/25
 
Course image GE112:Provincial - Pariah - Powerhouse: Reading German-language Culture in a Global Perspective 2024/25
 
Course image GE103:Modern German Language 1 (Accelerated Beginners) 2024/25
 
Course image FR363:Reframing history: French popular revolt in the graphic novel 2024/25
 
Course image FR357:Sex and Sexuality in Contemporary French Writing 2024/25
 
Course image FR346:Occupation: Everyday Life in Vichy, France 1940-1944 2024/25
 
Course image FR336:The Left & Trade Unions in France 2024/25
 
Course image FR335:Gender and Representation in French Media 1970-Present 2024/25
As well as introducing some of the particularities of gender relations and their representation in a French socio-historical and especially media context since the 1970s, this module will consider theoretical conceptualisations of gender and its representation, often drawing on French and Continental thought, in conjunction with individual audiovisual texts. Areas of thought whose influence will be examined include psychoanalysis, surrealism and embodied experience, via the feminist writings of Laura Mulvey (following Jacques Lacan); Julia Kristeva; Hélène Cixous; Judith Butler and Rosi Braidotti. Films include both auteur and more popular fare and also allow us to trace historical developments in the dominance of different schools of thought. A running theme will be putting French and more broadly European ideas into dialogue with post-1980s Anglo-American ‘cultural studies’ contributions to scholarly ideas about representing gender, including after reading week through considering a combination of mass-globally circulated information media and film and television series, as we move to examining very recent developments in French media’s negotiation of ‘legitimate’ gender norms.